The 10 best movies of all time, according to a poll by Sight & Sound
Every 10 years, the British Film Institute publishes a list of the 100 Greatest Films of All Time in Sights and Sounds. It’s an opportunity for critics to comment on films with significant cultural impact. More than 1,500 film professionals, including critics, archivists and programmers, were consulted in compiling this list.
This list has been published every 10 years since 1952. Jeanne Dielman, 23 qui du Commerce, 1080 Brussels is the first film directed by a woman to find itself at the top of the list. Other well-known films that made the cut include 2001: A Space Odyssey and Sing in the rain. Each of these films had a unique impact on cinema that is still felt today.
Jeanne Dielman, 23 quai du Commerce, 1080 Brussels (1975)
Jeanne Dielman, 23 qui du Commerce, 1080 Brussels is an in-depth character study of Jeanne Daleman (Dolphin Seyrig), a widow whose life unfolds during the story. Director Chantal Akerman critically examines the empowerment of women in a society that strictly regulates the role of women. As the audience gets to know Jean more deeply, her actions become more understandable.
The film gained notoriety over time and is considered by many to be a feminist work of art. It’s an analysis of gender and sexuality through a feminist lens that was controversial at the time. However, it has been re-examined today, especially as its narrative incorporates feminist themes.
Vertigo (1958)
fear of heights is a psychological thriller Alfred Hitchcock. The film tells the story of a detective (James Stuart) who developed a phobia of heights after the death of a police officer. The twists and turns are vintage Hitchcock, and the story itself becomes more complex as it unfolds.
It remains an example of how this story can unfold and keep the audience guessing. Furthermore, in the decades since its release, the film has been scrutinized for its portrayal of male obsession with the women around him. With modern sensibilities about aggression and consent (or lack thereof), this story has taken on new meaning for modern audiences.
Citizen Kane (1941)
Orsen Wells Citizen Kane for a long time it was considered the pinnacle of auteur cinema. It is a semi-biographical account of the legacy of media and business magnates William Randolph Hearst, Joseph Pulitzer, Samuel Insull and Harold McCormick. Starring Orsen Welles himself, the film tells the story of fictional tycoon Charles Foster Kane.
There are several reasons why this film is rightfully remembered as one of the greatest. It contains a powerful message about the consequences and realities of mass media manipulation. The film also came out at an opportune time, just before World War II, when many were considering the costs and benefits of isolation and intervention in world affairs. These questions have arisen since then and remain relevant today.
A History of Tokyo (1954)
Yasujiro Ozu’s Tokyo Story tells the story of the Hirayama family in post-World War II Japan. The film explores themes of family dysfunction and how a family must find ways to reconnect as it grows and evolves as it emerges from World War II. In addition, viewers can expect a meditation on their fate.
It does a lot History of Tokyo so persistent that it captured the era of post-World War II Japanese family life. This is another film that lets the story unfold slowly. Much of the exposition unfolds through dialogue rather than exposition. While it may not be to everyone’s taste, this set-up forces the audience to sit through each revelation and story element.
In the Mood for Love (2000)
In the Mood for Love Wong Kar-wai the film in which he starred Maggie Cheung and Tony Leung. This is the story of two people who seem to be separated by fate. The story spans several countries, and there are just as many missed opportunities for rapprochement between the main characters. The film is remembered for the impressive performances of the two main characters.
This movie is about life and the cruelty of time. It is such a human story in every way, which is probably why it has had such a lasting impact. The themes of lost love and the eternal question of what might have been resonate with audiences today. The film is an almost brutal commentary on the depths of loneliness, and it can make for a terrifying watch.
2001: A Space Odyssey (1968)
One of the directors Stanley Kubrickthe most iconic films 2001: A space odyssey. In a way, this film is a futuristic horror and comments on humanity’s relationship with technology. The story revolves around astronauts battling the dangers of space as well as the dangers of technology. HAL, the film’s villain, is more of a concept than an AI program.
This film has a controversial legacy. For some viewers today, it is remembered as too cerebral and esoteric to really enjoy. Much of the film’s impact revolves around the technological innovations it brought to cinema. Fans emphasize that the film is a profound reflection on the fragility of humanity and our infinite smallness in relation to the vast universe.
Nice Job (1998)
One of two female-directed films in the top 10 of this list, Good job is a French drama by Claire Dennis. The film is based on a short story Billy Boudd by Herman Melville. The film tells the story of members of the French Foreign Legion stationed in Djibouti.
Good job is still known for its innovative camerawork and use of scenery. The film is also remembered for its foresight as an adaptation of a literary work. There is also a critical examination of colonialism and masculinity in the context of a patriarchal society. It should also be noted that the final dance scene is remembered as one of the most magnificent scenes in the history of cinema.
Mulholland Drive (2001)
Mulholland Drive It is a surreal thriller directed by David Lynch Naomi Watts and Laura Harring. It’s a mind-blowing nightmare as each new twist unfolds. The story follows the aftermath of a car accident. What follows will surely make any viewer doubt the reality the story is based on.
The famous Lynch was shy about the meaning of his project. It has been known to encourage speculation about the exact meaning of the story. Many have tried to explain the meaning of alternative versions of realities. There is something to be said for the evolution of a certain character and his idealization of his own life.
The Man with the Camera (1929)
A man with a movie camera is a silent documentary by a Soviet filmmaker Dziga Vertov. Filmed by Vertov’s brother. Mikhail Kaufman and edited by his wife, Elizaveta Svilova. There is no story. Rather, the audience is Soviet citizens going about their daily business and interacting with the technology of the time.
The man with the camera experimented with different cinematography methods. This is a personal and intimate look at the daily life of the Soviets. This is the first example of a documentary production that has to find a way to present its subjects in an authentic way.
Let’s Sing in the Rain (1952)
This is a classic about romantic comedy movies, especially Hollywood in the 1920s. Gene Kelly, Debbie Reynoldsand Donald O’Connor, Sing in the rain talks about the transition from silent films to talkies.
Many people who love this movie are still visible today. Hollywood has always loved films that reflect the industry itself and the people involved in it. At the end of the day, it’s pretty cool.
