Rian Johnson’s Movies are listed from Brick to Glass Onion
Rian Johnson is one of the iconic filmmakers of his generation, and he’s already cemented his reputation as an intelligent and original voice while paving the way for future success. Johnson has worked on projects that vary wildly in budget, genre, and tone. Whether he’s working on micro-budget indie neo-noir or a galaxy far, far away, Johnson has a wit and genre recognition that makes his stories all the more thrilling.
In fact, some of Johnson’s best work has been on the small screen, as he’s contributed to some of the most memorable episodes of all time. bad breakage. After Season 3’s ambitious “Flying” and Season 5’s existential “Fifty-One,” Johnson premiered one of his final episodes with “Ozymandias.” Hailed for its emotional devastation and inventive set-up, “Ozymandias” is among the best episodes of the show, even in its grandeur. is also directed nests and several music videos.
All six of Johnson’s feature films are fully-formed narratives worth watching, and he’s not slowing down anytime soon. A Knives 3 is already under construction. Here are six Rian Johnson movies, ranked from best to best.
6. Bloom Brothers (2008)
Johnson’s second film Bloom Brothers It’s certainly a smart and compelling caper adventure with kinetic pacing and rapid-fire one-liners, but it’s perhaps the only film in Johnson’s filmography that seems a little too clever for its own good. . It’s not that Johnson doesn’t realize the twists, because in most closed movies it’s more about the journey than the reveal, but as the story progresses, it becomes harder to follow. instantly, Bloom Brothers it’s essentially about performance and plasticity, so maybe it’s a bit of Johnson’s doing that it doesn’t quite come together.
The story is about the mischievous brothers Stephen (Mark Ruffalo) and Bloom (Adrian Brody), who carries out an elaborate scheme to steal the fortune of wealthy heiress Penelope Stamp (Rachel Weisz), the person who joined the crew. While their misadventures and elaborate heists are enjoyable, the film is held up by the tumultuous family feud at the center, as Bloom pleads with her brother to take things seriously and give him straight answers. This reflection on the conflict between sincerity and personality gives substance to the adventure.
5. Knives Out (2019)
Knives come out It is a thriller made by someone who loves thrillers. Although it deals with modern themes of exaggerated cynicism and the self-importance of the super-rich, everything about the execution and delivery is beautifully classic. The implications are in the text itself, as the story deals with the death of crime writer Harlan Tromby (Christopher Plumer), allowing this film to play as a loving memory Agatha Christieliterature of the period. Daniel CraigBenoit Blanc is both a weirder and more sensitive version of Poirot, and shows once again that outside of the 007 series, Craig can bring acting to his leading roles.
I can’t say enough good things about the set, and it’s rare for the actors to adapt so naturally to the material. Does the assembled cast of Hollywood heavy hitters make the dialogue funnier, or are they just mimicking the brilliance of Johnson’s script? As execution and danger maintain a relentless pace, there is a sense of optimism and warmth at its heart. Knives come out. Blanc is a kind and modest detective and Ana de ArmasAmazing work as Marta Cabrera, Harlan’s trusty nurse, does justice to the most perfect closing shot imaginable. but why Knives come out is the rate low? Perhaps it concluded so satisfyingly, while what the first four left the viewer to chew on is more ambiguous.
4. The Glass Onion: The Riddle of Daggers (2022)
No wonder it’s a success Knives come out It inspired Johnson to return to the material with a new mystery involving Benoit Blanc. Netflix was convinced of its vision and committed to producing the second and third installments. How interesting Glass onion: a mystery in controversy This is not a traditional sequel; Instead of delving into a mystery that’s already been solved, the movie just shows another fun case for Blanc to solve. It doesn’t detract from the excellent ending of the first film, and the central mystery itself is more satisfying. Blanc is invited by ambitious tech giant Miles Bron (Edward Norton) to solve his murder case.
First Knives come out spent a lot of time turning tropes in crime films and Glass onions continues the film’s social commentary. In addition to focusing on wealth inequality, the film touches on defunct culture, social media, influencers, and creative license. This comment is more subtly inserted, but it gives White a sense of righteous indignation that fits his character. At 139 minutes, it just flies by with no dull moments. It’s full of twists, flashbacks, events told from different angles, and totally delightful unexpected cameos.
Johnson understands why Blanc is so loved. Unlike other famous detectives, he is neither ambitious nor cold-blooded. Craig’s warmth and jovial accent are even more delightful, and he displays more of the warmth he shared with Martha in the first film. As Johnson proves The Last Jedi can subvert our expectations for star wars movie, Glass onions he even showed that he is capable of overturning the world he created. The public won’t want to wait too long to see, though Knives 3, Glass onions it deserves to be revisited and analyzed to explore its hidden details.
3. Star Wars: The Last Jedi (2017)
Star Wars: The Last Jedi is the only sequel to the original trilogy that really engages with The Force’s thematic subtext in a compelling way. It’s a less plot-driven tale than any other entry in the series, and while Johnson’s story has plenty of thoughtful subplots, Ray’s dichotomy (Daisy Ridley) and Kylo Ren (Adam Driver) is most attractive with the theme of balance. Kylo Ren is a deftly written antagonist; Behind the mask is not pure anger, but the spirit of a frightened child who could never overcome his traumatic experiences and the high expectations placed at his feet.
The Last Jedi is also the most visually stunning installment in the saga, featuring Johnson’s regular collaborator’s superb Kodak 60mm and 35mm. Steve Yedlin. The planets Crait, Ach-To and Canto Bight are designed with a creative mix of practical and digital effects, and Johnson’s lightsaber duels combine the raw energy of the classic trilogy with the fluid formal elegance of the prequels. Holographic Image of Luke Skywalker and Sacrifice (Mark Hamil) is a brilliant reimagining of Yoda’s teachings that expertly ends the film on an uncertain but hopeful note.
2. Looper (2012)
looper It’s one of the most original sci-fi films of the 21st century, and while it hints at Johnson’s penchant for playing with familiar genre elements through his fresh take on sci-fi neo-noir, it feels completely new. It’s nothing short of inventive time travel played by Johnson, but it’s also a fun twist to watch parallel timelines sync up and twist. Global construction looperThe world of futuristic tracking images and telekinetic powers is conveyed to the audience only by how it affects the character of Joe (Joseph Gordon-Levitt) and the largest (Bruce Willis).
The themes of fate, regret, and redemption are heavy and open to discussion looper a, but on a visceral level, it’s just an exciting action movie. Joseph Gordon-Levitt takes on one of the darkest roles of his entire career, and Bruce Willis actually looks awake, giving one of his few great performances in the 2010s. The mystery behind The Rainmaker’s identity is compelling and leads to a serious moral dilemma. dilemmas. An original, ambitious sci-fi film with a studio budget worth praising regardless, however looper confirms itself as a future classic.
1. Brick (2005)
Johnson first wrote the screenplay for his directorial debut in 1997 and tried to pitch it for seven years without interest. With a small budget, he assumed that all you need is a good script and a little creativity. After all the box office success and big budgets thrown at his feet, nothing can top the ingenuity shown by Johnson. Brick. The reinvention of hard-core detective cinema brilliantly recontextualizes gender archetypes in a Los Angeles high school. Instead of social classes, there are school clubs, instead of a tough police sergeant, there is a thoughtful assistant principal, instead of a femme fatale, there is a famous theater girl, and instead of private detectives, there is lonely teenager Brendan (Joseph). Gordon-Levitt).
This symmetry may seem like the basis of parody, but there is nothing satirical about it. Brick, takes these mystery issues very seriously. The meditative dialogue doesn’t sit well with the teenage characters, and Johnson’s narrative structure appropriately incorporates flashbacks and exposition. With raw violence, the film’s frenetic cinematography also has creative filth. An inspirational work for aspiring filmmakers that remains one of the most powerful modern neo-noirs, Brick is still Johnson’s greatest achievement.
